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I’m (unfortunately) reminded of Peter Weber’s present Group Dates, where participants had been meant to sashay a catwalk down or pose in swimsuits for the photoshoot.

I’m (unfortunately) reminded of Peter Weber’s present Group Dates, where participants had been meant to sashay a catwalk down or pose in swimsuits for the photoshoot.

Their shows had been never ever judged with their real runway stroll or modelling skills, but for how convincing Peter was ( code to their“chemistry for just how willingly they’ll stir up drama. )

That system is more defensible in that it really was some of the very little time with Peter they’d get that day, and those women weren’t actual runway or swimsuit models in a way. We weren’t passing up on some exciting or collaborative artistry by them perhaps maybe maybe not emphasizing their “craft” or correctly representing their abilities. But on Listen To Your Heart, the singing and playing is exactly what these participants do. These were cast with their talent—why cast them for this then stifle whatever they can perform along with it, restricting their choices to collaborating based predominantly on relationship, maybe not creative or innovative compatibility? It feels as though we’re passing up on some possibly phenomenal musical moments as a result of this massive limitation.